01 / SERVICE
Cablecam hire
Aerial views where a drone can't fly: over the crowd, indoors and inches from the artist.
View service : Cablecam hireCABLECAM · 4K LIVE PRODUCTION
The shot that transforms the show.
Cablecam hire and live 4K multi-camera production for festivals and concerts across Spain.
Medusa FestivalIcónica SevillaReggaeton Beach FestivalConcert Music FestivalZevra FestivalToledo BeatRocanRolaSFDK 30th AnniversaryLEC Roadtrip · Movistar KOIPalau Sant JordiMovistar ArenaMadrid ArenaWiZink CenterRoig ArenaOzunaBeéleSaikoBelén AguileraArcángelLola ÍndigoHombres GDani FernándezMedusa FestivalIcónica SevillaReggaeton Beach FestivalConcert Music FestivalZevra FestivalToledo BeatRocanRolaSFDK 30th AnniversaryLEC Roadtrip · Movistar KOIPalau Sant JordiMovistar ArenaMadrid ArenaWiZink CenterRoig ArenaOzunaBeéleSaikoBelén AguileraArcángelLola ÍndigoHombres GDani Fernández
CABLECAM IN SPAIN
Spain’s no.1 cablecam company.
More festivals, more stadiums and more live shows than anyone else. Our own gear, our own crew and bases in Seville, Madrid, Barcelona, Valencia, Gran Canaria and Tenerife to reach any venue in the country.
Other production companies in the industry subcontract us when they need a real cablecam. That is why you may see our footage and our gear on third-party websites: the cablecam flying in many of those jobs is Linecam®. If you want the original, hire it directly.
THE REEL · LINECAM®
One minute.
Everything we do.
Stadiums, festivals, arenas, conventions and the production desk. Cablecam, cameras, live and our own crew: this is Linecam® work in a single video.
REEL
SHOWREEL
This can't be told.
It has to be seen.
A cablecam flying over twenty thousand people can't be explained in words. Press play and see what ends up on the festival screen.
TOLEDO BEAT 2025 · CABLECAM AND LIVE PRODUCTION
LIVEComic Con Málaga 2024
OFFICIAL CABLECAM & DRONE
Official cablecam and drone of Comic-Con Málaga.
When the cosplay runway fills up and the hall goes wild, the Linecam® cablecam flies over the crowd while our drone team handles the aerial shots. Footage for the stage screens, the livestream and the event’s social media, by the same crew that works the big festivals.
OFFICIAL CABLECAMOFFICIAL DRONESCREENS & STREAMING
COMIC-CON MÁLAGA · LINECAM®
SPAIN TOUR
Alejandro Sanz tour across Spain.
Linecam® cablecam on Alejandro Sanz’s tour of Spain’s biggest venues: the aerial shot that flies over the crowd, live for the screens and for social media.
REC · LINECAM®
LIVE PRODUCTION
Artists and YouTubers who have been through our live production
Beéle, Illo Juan, Justin Timberlake, Belén Aguilera, Bryant Myers, Ozuna y JC Reyes.
BeéleIllo JuanJustin TimberlakeBelén AguileraBryant MyersOzunaJC ReyesWHAT WE DO
The whole
audiovisual package, under
one team.
You don't coordinate five suppliers: you coordinate one. And that one owns its equipment.
02 / SERVICE
4K multi-camera production
Live production for LED screens, streaming and broadcast. Our own OB van, CCU and intercom.
View service : 4K multi-camera production
03 / SERVICE
Drones for festivals
Licensed pilots and permits in order. High-impact aerial imagery for the show and for the campaign.
View service : Drones for festivals
04 / SERVICE
Festival aftermovies
From raw footage to master: editing, colour and sound, with vertical versions ready for social media.
View service : Festival aftermovies
05 / SERVICE
Security cameras + Starlink
Real-time monitoring of the site, with our own satellite connectivity where there is no coverage.
View service : Security cameras + Starlink
06 / SERVICE
Build-up timelapses
The stage going up in forty seconds, with autonomous, unattended cameras.
View service : Build-up timelapsesNEWS
Bryant Myers · Burlao Tour 2026
Three cities, big stages and a spectacular tour!
We had the pleasure of being part of Bryant Myers' BURLAO TOUR 2026, handling the entire multi-camera live production of his concerts in Spain.
- 📍 VALENCIA – Roig Arena
- 📍 BARCELONA – Sant Jordi Club
- 📍 MADRID – Movistar Arena
🎥 At DALE AL REC VISUAL we put all our experience, technology and passion into achieving a spectacular result at every concert.
Behind every great show there is a great team, and we couldn't be prouder of ours.
Everything went perfectly! We come away with the satisfaction of a job well done, an incredible team and clients who are very happy with the result.
Thank you to all the professionals who made it possible.
🔥 We keep adding kilometres, stages and great experiences!
🎬 DALE AL REC VISUAL | WE MAKE IT LIVE.
Watch the video on YouTube →LATEST WORK
The latest, one live show after another.
We post every job on Instagram as it leaves the venue. Tap any poster to see it on @linecamspain.
Álvaro de LunaFestival Jardín de las Delicias
DelaossaFestival RocanRola
Hombres GConcert Music Festival
Lola ÍndigoTour
Dani FernándezTour
Alejandro SanzLa Cartuja Stadium, Seville
ShareFestFestival
Antonio OrozcoConcert Music Festival
MËSTIZALive
Manuel TurizoTour
Medusa FestivalThe experience that brings us togetherOFFICIAL CABLECAM SINCE 2020
Official cablecam of Medusa and Zevra since 2020.
Since 2020 the Linecam® cablecam has flown over the crowds at Medusa Festival and Zevra Festival, two of Spain’s biggest electronic music festivals. Every edition our line crosses the site from side to side, giving the screens, the livestream and social media the shot nobody else has: the opening ceremony, the main stage and tens of thousands of people from the air.
MEDUSA FESTIVALZEVRA FESTIVALSINCE 2020
TECHNICAL CREW
Certified riggers with years of work at height.
The cablecam hangs from stadium, arena and festival structures, and that is never improvised. Our riggers are trained in work at height and rescue, use certified PPE and a double safety line, and agree a rigging plan with the production and the venue before going up. We have spent years rigging in Spain’s biggest venues: we know where to anchor, what load each point takes and how to leave everything safe so the show only has to worry about sounding good.
- Work-at-height and rescue training
- Certified PPE and double safety line
- Rigging plan approved with the venue
- Operators and riggers with years of festivals
ANCHOR POINTS
Nowhere to anchor? We bring the solution.
A cablecam needs two strong points, one on each side of the venue. In a stadium or an arena they are usually there: roof structure, stands, sound towers. But many festivals, beaches, open grounds, fairgrounds or squares have nothing at the right height or in the right place for the shot. That is where our work starts.
We study the site with the layout plan and, if needed, a technical visit. We propose where to set the anchors and how to reach them: braced truss or scaffold towers, scissor or boom lifts, cranes, counterweights, water or concrete ballast, or the delay, sound and lighting towers the production is already building.
We calculate line tension, load on each point, rope sag and safety clearances over the crowd, and agree everything with the structures manager and technical production before rigging. Always with a double rope, safety line and certified gear, plus a plan B if wind or the build forces a change.
The result: the aerial shot you wanted, where you wanted it, even if the venue didn’t make it easy.
- Site study and technical visit
- Braced truss or scaffold towers
- Lifts, cranes and counterweights
- Using delay, sound and lighting towers
- Line tension, load and sag calculation
- Coordination with structures and production
MAJOR VENUES
From Spain's biggest
stadiums to a
300-seat theatre.
From a seventy-thousand-capacity stadium to a three-thousand-capacity arena. Every venue has its own anchor points, height and limitations, and we have already worked at or carried out a technical visit to almost all the big ones.
Riyadh Air MetropolitanoMadrid · Stadium
CABLECAM LINE · SIMULATION
CABLECAM LINE · SIMULATION
INDICATIVE INSTALLATION LAYOUT
OB VAN
The van drives into the venue.
The line goes overhead.
Our own OB van from Linecam® and Dale al REC Visual: production control, CCU, intercom and fibre installed and tested before leaving. We park inside the venue, run the fibre and rig the cablecam line overhead on the same day.
A single team enters the venue, and from there come the screens, the streaming, the recording and the aftermovie footage.
4K LIVE PRODUCTIONCCUINTERCOMSINGLE-MODE FIBRECABLECAM
CABLECAM OVER THE VAN · SIMULATIONBROADCAST OB VAN · LINECAM® + DALE AL REC
FROM THE VAN TO THE SCREEN
This is what comes out of the van.
ZEVRA 2024 · CABLECAM AND LIVE PRODUCTION
Inside the OB van
MORE THAN 100 FESTIVALS
Wherever there's a big stage, there's usually one of our lines flying over it.
THE SYSTEM
Linecam® cablecam:
rope, not steel cable.
High-tenacity polyester rope, not metal cable. It weighs less, rigs faster, doesn't damage the venue structure and reaches spans of 250 metres, always with an independent safety line. System certified by ASNUTEC S.L.U. as manufacturer.
DOUBLE LINESELF-POWERED INDOOR AND OUTDOOROVER THE CROWD
REC · 4KTHE DOLLY ON THE LINE
THE KIT
The equipment, up close.
REC · 4K
REC · 4K
REC · 4KWHY LINECAM®
We bring solutions,
not problems.
01
Our own equipment
The cablecam, the OB van, the cameras and the transmission are ours. We don't subcontract the core of the service, so on show day we are the ones accountable.
02
Backup on every job
We never go out with a single path. Double rope, double transmission and backup equipment on board. A festival can't be repeated.
03
Operators with real flying hours
Our operators have worked the most demanding main stages in the country. They know when to come in, when to pull out and when not to get in the way.
04
A single point of contact
Cablecam, live production, drones, security and aftermovie with one technical contact and one itemised quote.
CANARY ISLANDS BASES
Based in Gran Canaria and Tenerife.
Linecam® has bases in Gran Canaria and Tenerife. The crew and the cablecam are already on the islands: no waiting for the ferry, no shipping from the mainland and rigging right at the venue.
In the picture, the line rigged at Estadio de Gran Canaria during the build of a major concert, with the control monitor showing the live shot.
And live: the Linecam® cablecam flying over the crowd at the Quevedo concert at Estadio de Gran Canaria.
Gran CanariaTenerife
Cablecam in Tenerife →
FOLLOW US ON INSTAGRAM
The backstage of every show at @linecamspain.
Impossible rigs, shots from the line, festivals and stadiums all over Spain told from the inside. What doesn’t make it to the screen, we show on Instagram.
What exactly is a cablecam and how is it different from a drone?
A cablecam is a camera suspended from a line tensioned between two anchors, which moves along that line in a controlled way. Unlike a drone, it doesn't fly: it follows a fixed, repeatable path, can pass over the audience without the flight restrictions of an aircraft and works indoors, under roofs and at venues where flying is not authorised. The result is a stable, cinematic aerial tracking shot that is perfectly predictable for the director.
Can a cablecam be installed over the audience?
Yes, and that is precisely its main advantage. The Linecam® system works with a double line —a 10 mm main line and an 8 mm safety line that is always installed— with a working tension of 250 kg against a breaking load of 2,100 kg for the main rope. Each installation is calculated on the venue's real anchor points, documented and handed to the technical management before rigging.
How long does it take to rig the system?
It depends on the venue and the height of the anchors, but a standard installation of up to 120 metres is rigged in one working day. At venues with a ring or grid structure we get it done in less time. We always suggest a prior technical visit to confirm anchor points, span and path.
Is a power supply needed at the anchor points?
No. The dolly is self-powered: it carries two onboard DJI TB50 batteries, so we don't need to run power to the rigging point. That is a big difference at open-air festivals and in the stands of sports venues.
Do you work all over Spain?
Yes. We operate from Andalusia across the whole peninsula and also in the Canary and Balearic Islands. We have worked in Madrid, Barcelona, Seville, Valencia, Malaga, Albacete, Cadiz and Tenerife, among other places, with more than 100 festivals behind us.
Can you provide the complete service: cablecam, live production, drones and aftermovie?
Yes, and that is what sets us apart. We are the only company that combines its own cablecam, live multi-camera production with an OB van, drones with licensed pilots, security cameras with Starlink connectivity and aftermovie post-production. One contact, one team and one invoice for the whole audiovisual side of the event.
How much does it cost to hire a cablecam?
The price depends on the span, the number of days, the camera configuration and whether the service includes live production. We always prepare a quote broken down by dates and items, with no surprises. Send us the venue and dates and you'll have it within 24 working hours.
Which cameras do you mount on the cablecam?
We work with the Blackmagic URSA Broadcast G2 with CCU for integration into the live production, and with the Sony FX3 with DJI transmission when lightness and a cinematic look are the priority. The dolly's payload is 4 kg, which leaves room for lenses, focus motors and transmission.
REVIEWS
What people
who have
worked with us say.
Real client reviews, copied word for word from our Google profile (in Spanish). 5.0 average from 21 reviews.
—
Your Google reviews go here. Open
/assets/data/resenas.json and paste yours, or fill in placeId and apiKey so they load automatically. The steps are in LEEME.md.LINECAM® · OUR OWN SYSTEM
Fifteen years building the same idea: a camera that travels the venue above everything, and a team that answers for it.
THE SHOT NOBODY ELSE HAS
A 220-metre aerial travelling shot over twenty thousand people, repeatable take after take.
CONTACT
Shall we talk about your event?
Answer seven quick questions and we'll prepare a technical and financial proposal with no obligation.
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