
01PIECE 01 / 07
Festival aftermovie
Shot and edited · Linecam®
An aftermovie is not a summary: it's the piece that sells the next edition. We film, edit, grade and mix with footage from every position —including cablecam and drone— so the video has shots the competition simply can't have.
Seven real aftermovies, edited by our team. Tap any of them to watch it right here.







When the festival is over, the aftermovie is what people share, save and watch again. It is the best advert for your next edition: it wins over those who missed it and brings back those who were there.
Vertical reels and stories that the audience shares, tagging the festival.
Fast cuts with the most viral moment of every night.
The full piece in high quality: the festival’s official archive.
Reach among the loyal crowd that comes back year after year.
The clip that goes with the line-up announcement and ticket sales.
Cablecam and drone over the crowd, from the same crew that films the rest of the festival.
The crew that films is the crew that edits. No middlemen, no footage lost along the way.
Horizontal master, 9:16 verticals and cut-downs for stories, reels and ads.
Careful grading and mix so the piece looks and sounds like a big festival.
Festivals, stadiums and arenas all over Spain: we know where and when the shot is.
We edit with one goal: whoever watches it wants to be there next year.

The piece that sells the festival's next edition.
The aftermovie is the piece the audience uses to relive the festival, and the one that sells the next edition.
At Linecam® we shoot it and edit it ourselves: performances, crowd, backstage and aerial shots from cablecam and drone. We turn hours of footage into a cinema-quality piece with careful grading and sound, plus vertical versions ready for social media.
Electronic, indie, rock or urban: we adapt the pace and the edit to each festival’s style.
Before the festival we define the tone, the length and the moments that are a must. The shooting plan comes from that, not the other way round.
A crew dedicated to the aftermovie, on top of the ISO recordings from the live production. Cablecam, drone, handheld camera in the crowd and backstage.
First cut within a week. We review it with you, adjust and sign off. No sending you the master first time and hoping you like it.
4K master, a social media version, vertical cuts and individual clips for each artist so the line-up can share it too.
REC · 4K
REC · 4K
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REC · 4K





Not answered here? Call us on +34 622 290 586 or email info@linecam.es.
The full edit with colour and sound is usually delivered 7 to 15 days after the festival, depending on the length and the amount of footage. If you need short pieces for social media straight away, we can deliver vertical versions within 24 hours of the end of each day.
Both. Usually we film it ourselves, because when the crew knows what will be edited, they shoot differently. But we also edit third-party footage if you already have the filming covered.
We work with commercially licensed music libraries included in the quote. If the festival wants a specific track by an artist on the line-up, we handle the authorisation with the promoter and the record label; that process is charged separately.
A 4K horizontal master for web and screens, a 1080p version optimised for social media, and 9:16 vertical cuts for Reels, TikTok and Shorts. All with burned-in subtitles if you need them.
Yes, and that's what makes the difference. If you also book live production, cablecam and drone from us, the aftermovie is edited with our own footage from every position and with the ISO recordings from the live production.
Tell us about the festival, the dates and what you want the piece to say. We'll prepare a proposal and a fixed quote.